Feb. 2025 – Correspondances polyphoniques VI, Selected Pieces for a Revision of Copyright Law, performance-reading produced and presented as part of an event curated by Lou Villapadierna at Fondation Ricard, Paris, France.
Oct. 2024 – Jan. 2025 – Correspondances polyphoniques V, Selected Pieces for a Revision of Copyright Law, Chocolate smell 0 x 0 x 0, Wooden cube 120 x 120 x 120, Ventilation grids, produced and presented during a residency at Centre d’Art de la Ferme du Buisson, Noisiel, France.
Sept. – Oct. 2024 – Correspondances polyphoniques I, II, III, IV, Selected pieces for a revision of Copyright Law, produced and presented as part of the exhibition D’oreilles à bouche, curated by Léa Djurado, Le 6b, Saint-Ouen, France, with the support of the Fondation de France.
Dec. 2023 – Non-Lieu à suivre, Code of Criminal Procedure, altered bookmarks, produced and presented in the exhibition Non-Lieu, curated by in.plano, Au lieu, Editions Extensibles, Paris, France.
Dec. 2023 – Le Faux du vrai, video and reams of paper, produced and presented in the exhibition Non-Lieu, curated by in.plano, Au lieu, Editions Extensibles, Paris, France.
Jan. 2023 – NDA, IDA, sound recording and mailbox, 2016–2023. Presented in the exhibition Sentimental Place, curated by in.plano, Galerie Longue Vue, Île-Saint-Denis, France.
Oct. – Nov. 2022 – The Unholy Three (1925/1930/2022), altered films, 71’32, produced and presented as part of in.plano’s invitation to the Salon de Montrouge 2022, Montrouge, France.
Sept. 2022 – Pièce Unique, image grid published on multiple_unique, 2022, Galerie Michel Journiac, Paris, France.
June 2022 – L’Œuvre en échec / Double denied IV, brick dust, presented by invitation of Alexandre Barré, Librairie Cahier Central, Paris, France.
Nov. – Dec. 2021 – NDA, Compte-tour, ready-made, 2019/2021 + 1101, wall-mounted contract, Protocole, acrylic, 2019/2021, group exhibition Floating i, in.plano, Île-Saint-Denis, France.
Sept. 2021 – L’Œuvre en échec / Double denied I, II, III, performances and mixed media, part of the group exhibition Sans feu ni lieu, curated by Rencard Collectif, Galerie Michel Journiac (Paris) and Poush.Manifesto, Clichy, France.
April 2022 – Article: “Law as a format for art“, Revue de Paris, published online April 10, 2022.
Nov. 2021 – Lecture: “Multiple / Repetition / Reenactment”, University Paris 1 Panthéon-Sorbonne, Paris, France.
June 2021 – Contribution: “The erasure of the signature through the multiple”, in collaboration with Ghislain Mollet-Viéville, art agent and judicial expert, for the Multiple / Repetition / Reenactment seminar, University Paris 1 Panthéon-Sorbonne, Paris, France.
EDUCATION
2020 – Master’s Degree in Visual Arts and Contemporary Creation – Paris 1 Panthéon-Sorbonne – École des Arts de la Sorbonne
2018 – Bachelor’s Degree in Visual Arts – Paris 1 Panthéon-Sorbonne – École des Arts de la Sorbonne
