Carolle Sanchez

Resume

EXHIBITIONS / PERFORMANCES / RESIDENCIES

  • Feb. 2025 – Correspondances polyphoniques VI, Selected Pieces for a Revision of Copyright Law, performance-reading produced and presented as part of an event curated by Lou Villapadierna at Fondation Ricard, Paris, France.
  • Oct. 2024 – Jan. 2025 – Correspondances polyphoniques V, Selected Pieces for a Revision of Copyright Law, Chocolate smell 0 x 0 x 0, Wooden cube 120 x 120 x 120, Ventilation grids, produced and presented during a residency at Centre d’Art de la Ferme du Buisson, Noisiel, France.
  • Sept. – Oct. 2024 – Correspondances polyphoniques I, II, III, IV, Selected pieces for a revision of Copyright Law, produced and presented as part of the exhibition D’oreilles à bouche, curated by Léa Djurado, Le 6b, Saint-Ouen, France, with the support of the Fondation de France.
  • Dec. 2023 – Non-Lieu à suivre, Code of Criminal Procedure, altered bookmarks, produced and presented in the exhibition Non-Lieu, curated by in.plano, Au lieu, Editions Extensibles, Paris, France.
  • Dec. 2023 – Le Faux du vrai, video and reams of paper, produced and presented in the exhibition Non-Lieu, curated by in.plano, Au lieu, Editions Extensibles, Paris, France.
  • Jan. 2023 – NDA, IDA, sound recording and mailbox, 2016–2023. Presented in the exhibition Sentimental Place, curated by in.plano, Galerie Longue Vue, Île-Saint-Denis, France.
  • Oct. – Nov. 2022 – The Unholy Three (1925/1930/2022), altered films, 71’32, produced and presented as part of in.plano’s invitation to the Salon de Montrouge 2022, Montrouge, France.
  • Sept. 2022 – Pièce Unique, image grid published on multiple_unique, 2022, Galerie Michel Journiac, Paris, France.
  • June 2022 – L’Œuvre en échec / Double denied IV, brick dust, presented by invitation of Alexandre Barré, Librairie Cahier Central, Paris, France.
  • Nov. – Dec. 2021 – NDA, Compte-tour, ready-made, 2019/2021 + 1101, wall-mounted contract, Protocole, acrylic, 2019/2021, group exhibition Floating i, in.plano, Île-Saint-Denis, France.
  • Sept. 2021 – L’Œuvre en échec / Double denied I, II, III, performances and mixed media, part of the group exhibition Sans feu ni lieu, curated by Rencard Collectif, Galerie Michel Journiac (Paris) and Poush.Manifesto, Clichy, France.
  • Dec. 2021 – Information Deleted, copper plate, engraving and ghost print.
  • Mar. 2020 – Je est un autre, performance, Galerie Michel Journiac, Paris, France.
  • Dec. 2019 – Des mondes en devenir, altered books.

SEMINARS / ARTICLES

  • Jan. 2024 – Pièce Unique, image grid published on multiple_unique (2022), in the Multiple x multiple exhibition catalogue, Presses du réel, Paris, Dec. 2023.
  • June 2023 – Article: “The signature as a sign of authorial multiplication“, Plastik journal, issue De multiples à multiple #12, published online June 26, 2023.
  • April 2022 – Article: “Law as a format for art“, Revue de Paris, published online April 10, 2022.
  • Nov. 2021 – Lecture: “Multiple / Repetition / Reenactment”, University Paris 1 Panthéon-Sorbonne, Paris, France.
  • June 2021 – Contribution: “The erasure of the signature through the multiple”, in collaboration with Ghislain Mollet-Viéville, art agent and judicial expert, for the Multiple / Repetition / Reenactment seminar, University Paris 1 Panthéon-Sorbonne, Paris, France.

EDUCATION

  • 2020 – Master’s Degree in Visual Arts and Contemporary Creation – Paris 1 Panthéon-Sorbonne – École des Arts de la Sorbonne
  • 2018 – Bachelor’s Degree in Visual Arts – Paris 1 Panthéon-Sorbonne – École des Arts de la Sorbonne
  • 2006 – Admitted to the New York Bar
  • 2002 – Admitted to the Paris Bar